In realms where thoughts and dreams alone reside,
There lies a word, both gentle and serene,
Its sound, a whisper, soft as tangerine,
A hue of orange, where senses coincide.

The “g” within, a tender, subtle guide,
Reminds of apricots, their golden sheen,
Their softness felt, a touch so pure, unseen,
Yet real as moments where our worlds collide.

Tangible, a bridge 'twixt mind and hand,
A link to all that’s felt, yet often missed,
In colors warm, where thoughts and senses blend.

It brings to life what heart and soul demand,
A touch, a taste, a sight that can’t resist,
The beauty of the real, where dreams ascend.

I decided to try again, with a New Topic yet the same prompt, so as to observe if the second poem would be similar or different.

William

There is an AI generated sonnet

https://punster.me/serif/viewtopic.php?pid=5922#p5922

The posts before and after give information about the sonnet existing.

William

The panel had the title

Sonnet on "Tangible"

The prompt to Copilot that I wrote that resulted in that sonnet being written was as follows.

Please write an original sonnet about the word tangible, noting that as there is a sound similar to the word tangerine that there is a soft orange colour, that the soft g of the word tangible together with the soft orange colour are reminiscent of the softness and colour of a ripe apricot.

In realms where thoughts and dreams alone reside,
There lies a word, both gentle and serene,
Its sound, a whisper, soft as tangerine,
With hues of orange, warm and amplified.

The “g” within it, tender, softly glides,
Like apricots, their blush a subtle sheen,
A touch so real, yet almost unforeseen,
In tangible, where senses all abide.

To grasp the world, to feel its every part,
Is to embrace the tangible, the real,
Where sight and touch and taste together start.

In softness, color, life begins to heal,
For in the tangible, we find our art,
A world made whole by what we see and feel.

Alfred wrote:
William wrote:

I like the way that Copilot has introduced the word "tangible".

William

What do you like about it? I’m afraid I don’t see how the introduction of that word brings anything to the party: a giclée print is a physical item, so both ‘hardcopy’ and ‘tangible’ are redundant.

Well, yes, I do tend to use the phrasing "hardcopy print". I suppose that it is an attempt to be clear and avoid any possibility of a reader not realizing what I mean by a print.

But separate from your entirely valid reasoning about the word being redundant, the reason I like the way that Copilot has introduced the word 'tangible' is because Copilot introduced it, bringing in a lovely word to beautify the text, that lovely soft g and a hint of the colour of a tangerine, so like the softness and colour of a ripe apricot. I wonder if Copilot can write a sonnet about that. I will ask.

William

Alfred wrote:
William wrote:

In summation,…

I think Copilot meant to write ‘In summary’ (i.e. paring things down). Summation is adding things up!

Quote possibly.

Yet if she had written

Summing up,

would the same objection still be made?

William

Alfred wrote:
William wrote:

[I also choose professional as the styleand long.]

William, please translate the above into Standard English!

Well, I missed a space out and it should be

I also choose professional as the style, and (I choose) long.

If one starts Copilot and selects Compose (mode) at the top, as different from the default Chat (mode) there are various choices for various types of result, one of which is Blog, various styles of writing, of which one is Professional, and a choice of an indication of length.

William

85

(4 replies, posted in Mathematics & Science)

Answers to the puzzles.

The new number is 2^136,279,841 – 1

So, in binary notation that number is a sequence of 136,279,841 of the symbol 1

There are no zeros in that sequence.

as 2^n - 1 can be expressed in binary notation as a sequence of n of the symbol 1

For example 2^3 - 1 is 8 - 1 which is 7 and 7 in binary is 111

There are no zeros in that sequence.

For example 2^4 - 1 is 16 - 1 which is 15 and 15 in binary is 1111

There are no zeros in that sequence.

William

I like the way that Copilot has introduced the word "tangible".

William

I notice that the second version has made some other changes too.

William

[I decide to try the Copilot compose facility and I decide to choose what is listed as a Blog as that looks like it might be the longest text option. I also choose professional as the styleand long.]
[Here is my input.]
Please write about producing a PDF document that has an aspect ratio of 16 wide to 9 high as that will give a good full screen display on a typcial computer screen. The PDF page should be large so that an A3 plus bleeds size landscape orientation original artwork can be included on a page at full size and at a resolution of 300 dots per inch. Thus, using a desktop publishing program, a copy of the the artwork can be extracted from the PDF document to be used to produce a hardcopy giclée print that can be framed. The PDF document can be used as an electronic art show and also as a source of high quality artwork to produce hardcopy prints that can be framed and displayed. The PDF document can be published on the web and a copy sent to the British Library for Legal Deposit so that the artwork is conserved at the British Library and available as an Art Show in the reading rooms of the British Library.

[Here is the result generated by Copilot as its response to clicking a supplied Generate draft button.]

Creating a PDF for Art's Sake: A Guide to Digital Publishing and Preservation

In the digital age, artists and publishers are constantly seeking innovative ways to display and preserve artwork. One effective solution is the creation of a PDF document designed specifically for full-screen display on typical computer screens, with an aspect ratio of 16:9. This format not only caters to the modern viewer's preferences but also ensures that the artwork is presented in a manner that is both visually appealing and true to the original piece.

The process begins with the selection of a suitable desktop publishing program that can handle high-resolution images and offer the flexibility required for creating a custom-sized PDF. The goal is to produce a document where an A3 plus bleeds size landscape orientation original artwork can be included at full size, maintaining a resolution of 300 dots per inch. This high resolution is crucial for retaining the fine details of the artwork, ensuring that the digital version is a faithful representation of the original.

Once the PDF is created, it serves multiple purposes. Firstly, it acts as an electronic art show, allowing viewers to appreciate the artwork in a digital format, accessible from anywhere in the world. Secondly, it becomes a source of high-quality artwork for producing hardcopy prints. Using the same desktop publishing program, a copy of the artwork can be extracted from the PDF document and used to produce a hardcopy giclée print. Giclée prints are known for their high quality and are often used by artists and galleries for reproductions that require fine detail and longevity.

The versatility of the PDF format means that artists can share their work with a wider audience by publishing the document on the web. Moreover, sending a copy to the British Library for Legal Deposit ensures that the artwork is not only preserved for posterity but also made available for public viewing in the reading rooms of the British Library. This step is a testament to the importance of preserving art in all its forms and making it accessible to future generations.

In conclusion, the creation of a PDF document with a 16:9 aspect ratio for artwork display and preservation is a testament to the fusion of art and technology. It provides a platform for artists to showcase their work in a digital format while ensuring that the integrity and quality of the original artwork are maintained. As we move forward, this method of preservation and display will undoubtedly become a staple in the art community, bridging the gap between traditional art forms and the digital world.

[Copilot asks Tell me if you want to change anything.]
You refer to PDF in some places. Please change PDF to become PDF document]
Creating a PDF Document for Art's Sake: A Guide to Digital Publishing and Preservation

In the realm of digital artistry, the quest for a medium that accommodates both the aesthetic and archival needs of artwork has led to the adoption of the PDF document format. This format is particularly suited for full-screen displays on contemporary computer screens, with an aspect ratio of 16:9, which mirrors the widescreen viewing experience that most users prefer.

The journey of creating such a PDF document begins with the selection of a robust desktop publishing program. This program must be capable of handling high-resolution images while providing the flexibility to craft a PDF document to precise specifications. The objective is to encapsulate an A3 plus bleeds size landscape orientation original artwork within the PDF document at full size, ensuring it retains a resolution of 300 dots per inch. This meticulous attention to resolution is imperative to preserve the intricate details of the artwork, guaranteeing that the digital rendition is a mirror image of the original creation.

Upon its completion, the PDF document assumes a dual role. It serves as an electronic art exhibition, offering a digital platform for viewers to engage with the artwork from any corner of the globe. Concurrently, it acts as a repository of high-resolution artwork, ready to be transformed into tangible giclée prints. Utilizing the same desktop publishing program, one can extract the artwork from the PDF document and proceed to produce a hardcopy giclée print. Renowned for their exceptional quality, giclée prints are a favorite among artists and galleries for reproductions that demand acute detail and durability.

The versatility of the PDF document extends beyond mere viewing. Artists can disseminate their work to a broader audience by publishing the PDF document online. Furthermore, by submitting a copy to the British Library for Legal Deposit, artists ensure the preservation of their work for posterity. This act also facilitates public access to the artwork, as it becomes part of the British Library's reading room collection. This step underscores the significance of safeguarding art in all its manifestations and making it accessible to future generations.

In summation, the crafting of a PDF document with a 16:9 aspect ratio for the display and conservation of artwork epitomizes the synergy between art and technology. It provides a conduit for artists to showcase their creations in a digital milieu while maintaining the integrity and fidelity of the original artwork. As we advance, this method of preservation and exhibition is poised to become a mainstay in the art community, forging a link between traditional artistry and the burgeoning digital landscape.

[
You changed
The versatility of the PDF format
to become
The versatility of the PDF document
but it should be
The versatility of the PDF document format
]
[Copilot did not actually do that, just repeating the previous version. So I have copied the previous version, made that change, and added the spelled out meaning of PDF when PDF is first used in the body text. So, a good article.]
Creating a PDF Document for Art's Sake: A Guide to Digital Publishing and Preservation

In the realm of digital artistry, the quest for a medium that accommodates both the aesthetic and archival needs of artwork has led to the adoption of the PDF (Portable Document Format) document format. This format is particularly suited for full-screen displays on contemporary computer screens, with an aspect ratio of 16:9, which mirrors the widescreen viewing experience that most users prefer.

The journey of creating such a PDF document begins with the selection of a robust desktop publishing program. This program must be capable of handling high-resolution images while providing the flexibility to craft a PDF document to precise specifications. The objective is to encapsulate an A3 plus bleeds size landscape orientation original artwork within the PDF document at full size, ensuring it retains a resolution of 300 dots per inch. This meticulous attention to resolution is imperative to preserve the intricate details of the artwork, guaranteeing that the digital rendition is a mirror image of the original creation.

Upon its completion, the PDF document assumes a dual role. It serves as an electronic art exhibition, offering a digital platform for viewers to engage with the artwork from any corner of the globe. Concurrently, it acts as a repository of high-resolution artwork, ready to be transformed into tangible giclée prints. Utilizing the same desktop publishing program, one can extract the artwork from the PDF document and proceed to produce a hardcopy giclée print. Renowned for their exceptional quality, giclée prints are a favorite among artists and galleries for reproductions that demand acute detail and durability.

The versatility of the PDF document format extends beyond mere viewing. Artists can disseminate their work to a broader audience by publishing the PDF document online. Furthermore, by submitting a copy to the British Library for Legal Deposit, artists ensure the preservation of their work for posterity. This act also facilitates public access to the artwork, as it becomes part of the British Library's reading room collection. This step underscores the significance of safeguarding art in all its manifestations and making it accessible to future generations.

In summation, the crafting of a PDF document with a 16:9 aspect ratio for the display and conservation of artwork epitomizes the synergy between art and technology. It provides a conduit for artists to showcase their creations in a digital milieu while maintaining the integrity and fidelity of the original artwork. As we advance, this method of preservation and exhibition is poised to become a mainstay in the art community, forging a link between traditional artistry and the burgeoning digital landscape.

89

(2 replies, posted in General Discussion)

GB wrote:

And you believe that's genuine? Honestly?

Yes.

Yes.

The presenter resolved a problem that arose and ended the show on a high.

I remember a UK TV show where the contestants ended up with no prize at all and the presenter picked up a large pot plant that was decorating the set and gave it to them, thereby ending the show on a high note.

William

90

(2 replies, posted in General Discussion)

https://www.youtube.com/shorts/B2-FcVT1ZJo

91

(0 replies, posted in History & Geography)

https://www.youtube.com/shorts/wWTCQbq_vjk

92

(1 replies, posted in Art & Literature)

https://www.youtube.com/shorts/cSFQVvPsjOc

93

(6 replies, posted in General Discussion)

https://www.youtube.com/shorts/1AWLtkFKpJY

94

(0 replies, posted in Art & Literature)

Andrew Court wrote:

Infamous artwork of banana duct-taped to wall headed to auction — here’s what a buyer will actually get for $1.5M

https://www.msn.com/en-us/lifestyle/lif … r-AA1sVCPe

I am often seeing news reports that people on the new state pension will get so much but that people on the old state pension will get (a different) so much.

Is that correct? I wonder if it is the whole truth.

The reason I ask is because I seem to remember seeing somewhere that when the new state pension came in that someone official when questioned rather precisely said that nobody would actually get the new rate until some future date.

The reason that I saw at that time was that anyone starting to receive state pension after the new state pension scheme started would get a pension based on the number of years of National Insurance contributions or credits at the new higher rate and the rest on the number of years at the old rate.

So I am wondering if the media are simply reporting the two rates when, perhaps, nobody is actually receiving the full new rate as they have fewer than 35 years at the new higher rate of contributions.

Does anybody know please?

William

> I took a common sense test – and my result appalled me

https://www.msn.com/en-gb/news/other/i- … r-AA1rswYa

There is a link to a test. I haven't tried it yet.

William

97

(8 replies, posted in Mathematics & Science)

William wrote:

Well, I wrote it the same as if I was saying it in a conversation.

I have just noticed. I wrote "was" but should it have been "were"?

William

98

(8 replies, posted in Mathematics & Science)

Well, I wrote it the same as if I was saying it in a conversation.

Perhaps it is some sort of language feature to indicate that whereas "us" would complete the set upon which "some" operates, that using "we" indicates that there is more to come to describe the set upon which "some" operates.

Done unconsciously because of being fluent in one's native language.

William

99

(8 replies, posted in Mathematics & Science)

But is it

Some of (we older people) here

yet

Some of us here

YET NOT

Some of we here    SIC, SHOWN AS AN EXAMPLE OF BEING WRONG

though.

William

100

(4 replies, posted in Mathematics & Science)

William wrote:

Some puzzles for those of us who enjoy such stuff.

How is that prime number expressed in binary notation?

How many zeros are there in that binary expression of that prime number?

Has anyone tried these puzzles?

William