Please write an original story about a United Kingdom government minister who issues a ministerial directive to Jobcentres that the word fail and the word failure must not be used in letters and documents produced by the Jobcentres.

[AI response redacted as a name was stated, though upon checking on the web it appears to be a fictional name, yet nevertheless redacted.]

----

That is wonderful. Could you please rewrite it without a name of a person being stated please.

In the heart of London, a government minister known for innovative ideas and a relentless pursuit of positivity noticed a recurring theme in documents from Jobcentres across the United Kingdom. The words 'fail' and 'failure' were frequently used. Believing that such negative language could discourage individuals seeking employment, the minister decided to issue a directive.

The directive, carefully crafted to convey a clear and positive message, stated, "The words 'fail' and 'failure' must not be used in any letters and documents produced by the Jobcentres. Instead, use words that encourage growth and learning."

The directive was sent out to all Jobcentres across the United Kingdom. There was initial resistance, but the minister was patient and persistent, explaining the vision through meetings, speeches, and visits to several Jobcentres.

Gradually, the change took place. The words 'fail' and 'failure' were replaced with 'learning opportunity' and 'room for improvement'. The atmosphere in the Jobcentres began to change. People seemed more hopeful and motivated. Setbacks were no longer seen as failures but as opportunities to learn and grow.

The impact of the directive was profound. It changed not only the language used in the Jobcentres but also people's mindset. It taught them that there is no such thing as failure, only opportunities to learn and improve. This led to more people finding suitable employment, contributing to the economy, and leading fulfilling lives.

Thus, the belief in the power of words transformed the Jobcentres of the United Kingdom, proving that a simple change in language could indeed make a significant difference.

Please write an original, interesting story that has no conflict in it, is kind and gentle. Please do not mention the word conflict in the story.

Sure, here’s a gentle and kind story for you:

Once upon a time, in a land where the sun always shone brightly, there was a small town named Harmonyville. The town was nestled between rolling hills and a serene river that sparkled under the sun's rays.

In Harmonyville, there lived a kind-hearted baker named Oliver. Every morning, Oliver would wake up at the crack of dawn to prepare fresh bread, pastries, and cakes for the townsfolk. His bakery was a place of warmth and joy, filled with the sweet aroma of baked goods.

One day, a little bird flew into the bakery. It was a sparrow, with feathers as grey as a raincloud and eyes as bright as the morning sun. Seeing the bird, Oliver gently offered it a piece of bread. The sparrow chirped happily and nibbled on the bread.

From that day forward, the sparrow visited Oliver's bakery every day. It would perch on the windowsill, chirping a delightful melody that added to the bakery's charm. In return, Oliver would share some crumbs from his delicious pastries.

The townsfolk of Harmonyville loved this new addition to their mornings. The sight of Oliver and the sparrow sharing a peaceful moment became a symbol of kindness and gentleness in the town.

As time passed, the bond between Oliver and the sparrow grew. They spent their days in harmony, bringing smiles to everyone who visited the bakery. And so, life in Harmonyville continued, filled with kindness, gentleness, and the sweet aroma of Oliver's bakery.

And they all lived happily, basking in the warmth of the sun and the joy of each other's company. The end.

Please write an original, interesting story that has no conflict in it, is kind and gentle.

Sure, here’s a gentle story for you:

Once upon a time, in a world where every creature could talk, there was a small village nestled in the heart of a lush forest. The village was home to various animals who lived together in harmony.

One day, a young rabbit named Remy decided to explore the forest. With his parents' blessings, he hopped away, his heart filled with excitement and curiosity. As he ventured deeper into the forest, he came across a crystal-clear stream. He bent down to take a sip of water when he noticed a tiny fish struggling against the current.

Remy immediately jumped into the water and gently nudged the fish towards the bank. The fish, grateful for Remy's kindness, introduced herself as Fina. From that day forward, Remy and Fina became the best of friends. They spent their days exploring the forest, sharing stories, and helping other creatures in need.

One day, Fina expressed her wish to see the world beyond the stream. Remy, wanting to fulfill his friend's wish, thought of a plan. He found a large leaf and carefully helped Fina onto it. He then carried the leaf around the forest, showing Fina all the beautiful sights she had always wished to see.

Their unique friendship and kindness towards each other and their fellow forest dwellers created a ripple of positivity throughout the forest. The forest thrived, and the village became a beacon of harmony and peace, reminding everyone that kindness, understanding, and friendship are the most beautiful aspects of life.

And so, Remy and Fina continued their adventures, spreading joy and kindness wherever they went, living their peaceful and conflict-free lives in their lovely forest home.

I hope you enjoyed the story! X

Please write an original, interesting story that has no conflict in it, is kind and gentle.
Sure, here’s a gentle story for you:

Once upon a time, in a world where every living creature could speak, there was a small village nestled between the rolling hills and a sparkling stream. This village was known as Harmony Haven.

In Harmony Haven, there lived a wise old tortoise named Tilly. Tilly was loved by all for her kindness and wisdom. Every morning, she would slowly make her way to the village square, where the animals would gather to listen to her stories and advice.

One day, a young rabbit named Remy hopped up to Tilly. "Tilly," he said, "I want to make everyone in the village happy. What can I do?"

Tilly smiled at Remy's enthusiasm. "Remy," she said, "the secret to happiness is not in doing grand gestures, but in the small acts of kindness we show each other every day."

Inspired by Tilly's words, Remy decided to do one small act of kindness each day. He helped a squirrel gather nuts, he shared his carrots with a family of mice, and he even helped a bird build its nest.

News of Remy's deeds spread throughout the village, and soon, other animals started following his example. The village was filled with acts of kindness, big and small, and everyone was happier for it.

And so, life in Harmony Haven continued, peaceful and full of joy. The animals lived together in kindness and harmony, proving that even without conflict, there can be an interesting, fulfilling story.

Well, the link works for me, it is to the 1961 film The day the earth caught fire.

Are you outside the UK, maybe that could be an issue.

https://en.wikipedia.org/wiki/The_Day_t … aught_Fire

William

I think it was a problem, a problem need not necessarily be a conflict.

For example, this movie,

https://www.youtube.com/watch?v=fBHWWnzjDsI

William

1,457

(112 replies, posted in General Discussion)

https://www.youtube.com/watch?v=tgJ0tdAfvUk

"Diandl Musi" aus Aurach "Gassl Polka" zum Filmprojekt "Im Wandel der Zeit"has

Google translate gives

"Diandl Musi" from Aurach "Gassl Polka" for the film project "In the Changing Times"

Yes. I had been taught at the class to start off with a line such that readers want to know what happens.

I had learned this when for one exercise, I forget what was the overall choice of topic, I had written about a television broadcast from a fictional vote count on election night.

What used to happen in the class was that the lecturer would talk about something, whether a short story structure, or haiku structure, or whatever, that weeks topic, then set us a writing topic, then we would write for a while, during which she looked through what we had all brought in as writing done at home, then we had the Share, where we each read out what we had written if we so chose - everybody did.

My original version started off that it is election night, the vote is taking place, and setting the scene for the story, before having the story itself. The lecturer advised me that the story should start with what had been my third paragraph. So as best I remember, something like the following.

"You stupid fool - I was live on national television!"

and then had gone on to expalin that the man had said something about main candidates and minor parties and the man from the Restore our Railway Infrastructure party had interrupted him live on air with "Don't you minor party me - I'm as much a candidate as anybody else."

So that is why this story starts of with "Ring the police!" rather than starting off with him sat quietly doing his accounts. That he had been is explained later.

That is also why my two novels also start with something to try to get the reader's interest.

http://www.users.globalnet.co.uk/~ngo/l … er_001.pdf

http://www.users.globalnet.co.uk/~ngo/l … er_001.pdf

I don't particularly like conflict, though I suppose there is that sort of thing to some extent in my novels.

What do you think of this chapter please?

http://www.users.globalnet.co.uk/~ngo/l … er_035.pdf

William

I have been thinking, starting before learning of the villanelle format, though I think it still applies as the AI system does not produce a nineteen line poem when asked for it as such.

The result of this thinking is, I think, one of those times where what I write is seen as either insightful or ridiculous, or somewhere in between, or maybe both simultaneously.

What I have decided, which helps me, but readers can, if they so choose, make their own decisions is that I feel there is structural similarity between AI, localizable sentences, and Google street view.

The AI produces poetry and so on that, in my opinion, is really good, but only if the format is what people have done before. The nineteen line poem as such could not be done.

Localizable sentences can be used to communicate through the language barrier in some particular circumstances. For example, with the existing experimental repertoire of encoded sentences about weather conditions, snowing, raining, and several others can be discussed effectively. Yet if one wants to communicate "It is frosty." it cannot be done.

With Google street view one can look around places, for example Chalons-en-Champagne, yet sometimes one might think that one would like to have a look down some particular road, and it is impossible, because the Google camera car did not go down that road.

Each of the three could be expanded, yet, if, say, "It is frosty." were to become added, there is still a problem if one wants to communicate "It is thundering."

Perhaps now we could write some nineteen line poems and post them, described as such, so that if Bing Chat AI is asked to write one, we can observe whether it reports that it was updated in 2021 or whether it will search and find them, learn the structure, and write one of its own.

William

Hi Paul

I am happy to discuss my short story and maybe I can learn.

Please bear in mind that for the course certificate, which is at Level 2 of the English system and is regarded as equivalent to 0.2 of a GCSE, students had, as well as participating in in-class writing exercises, to produce a portfolio of original writing and that the story was just one item in my portfolio. The class was an evening class. I feel that I learned a lot.

I have seen courses in creative writing advertised at various levels, up to Master level, which is level 7 of the 8 level English system.

William

pberk wrote:

But your solution, William, is pure gold.  You are a fountain of knowledge. I never heard of a villanelle. So, you see, ChatGPT is training us as much as we train it.

That is very kind of you, Paul, but it was not me that found the villanelle.

I had never heard of it before now.

But wikipedia had!

https://en.wikipedia.org/wiki/Villanelle

William

I think that we might have something with the nineteen line poems, the AI has perhaps not met such a poem before.

On the matter of the short story, here is a link to one I wrote in the late 1990s, either during or after the duration of the creative writing class.

http://www.users.globalnet.co.uk/~ngo/aoab0001.htm

William

The answer that the AI gave to you, Paul, leads me to think that I have spotted something that is worth exploring. The AI writes "in the data on which I was trained".

Thus far it has done well on most things but it did not get the requested nineteen line poem exactly correct, though parts of it such as where the problem arose was about right.

So I suspect the AI had no nineteen line poems to train upon, because I devised that format.

The structure of a problem arising the the problem gets worse then everything is resolved is what I was taught at creative writing class as how to write a story. I applied it to a poem here as my own idea.

Something I thought of years ago is the concept of microtime. It is only a sort of "get a feel for it" thing, but think in terms of, say, humans can experience separate seconds yet computers (back then!) could experience separate microseconds, so how long in our terms is a microhour, a microday, a microweek, a microyear, a microdecade? Put like that, although the speed at which the Ai is producing poems, songs, plays etc may in microtime terms be long enough for people to do as well.

Yet we are told that each session of us using the Ai is wiped. So even if a lot of us develop nineteen line poems then the AI, as we seem to have it available to us on the web, cannot learn from that except perhaps in the same session.

If in studying AI we start publishing on the web lots of nineteen line poems and Microsoft trains the AI on them, then maybe the AI will become good at producing original nineteen line poems. But what if several of us write such poems and they have different rhyme schemes? Maybe the AI would generate nineteen line poems in the styles of Paul, Alfred, Geoff and William.

Or maybe we should each invent our own original format for a poem and observe what the AI system produces.

William

https://forum.affinity.serif.com/index. … odern-art/

I asked Bing Chat AI the following.

Is there a picture of a swan at the Rijksmuseum:?

Yes, there is a picture of a swan at the Rijksmuseum. The painting is called “The Threatened Swan” and was created by Jan Asselijn around 1650. The painting depicts a swan fiercely defending its nest against a dog. In later centuries, this scene was interpreted as a political allegory: the white swan was thought to symbolize the Dutch statesman Johan de Witt (assassinated in 1672) protecting the country from its enemies. This painting was the very first acquisition to enter the Nationale Kunstgalerij (the forerunner of the Rijksmuseum) in 1801. It is currently on display in the Gallery of Honour. The dimensions of the painting are 144cm high and 171cm wide.

https://www.rijksmuseum.nl/en/collection/SK-A-4

https://en.wikipedia.org/wiki/The_Threatened_Swan

William

Alfred wrote:
GB wrote:

Actually the resulting poem I received is a bit of a disappointment, since it scans pretty well. Something Mr McGonagall seldom achieved! It appears Bing is a better poet than he.

I think you may be right, Geoff!  From what mercifully little I’ve seen of McGonagall’s work, he paid close attention to rhyme but scansion was sorely lacking in his great works.

Very off-topic, please accept my belated birthday wishes.  (Perhaps we should ask Bing Chat AI to compose a birthday ode for you, not necessarily in the style of William McGonagall!)

You could ask it for three, one in the style of William McGonagall, one in the style of Thomas Tusser, and one in the style of ... you choose.

William

GB wrote:

William,

Since you are unable to tell us what your object is in asking Bing to produce original poems (something that it has already clearly demonstrate that is well able to do) ...

To me that is like asking a football fan why keep going to football matches, particularly when the same two teams are playing each other as in a football match some time ago.

I am trying different things with the AI, sometimes running the same prompt as on one or more previous occasions. Sometimes asking the AI to change something, for example when drinking water from a river was mentioned I asked the text be changed, and the AI understood my request and changed it.

I remember reading long ago that running a software program can be like having a conversation with its programmer through time.

With something like telephone banking where one has a conversation with the automated lady there are lots of things that can be done yet sometimes one needs to ask the automated lady to put one through to a human adviser.

With the AI system, as far as I know, there is no such facility.

I am wondering with this Bing Chat AI system who or what one is having a conversation. Is it people in a team who set it up? Is it everybody who ever posted on the Internet? It answered my question about Gutenberg and ligatures by quoting what I wrote in the High-Logic forum many years ago.

I am thinking that asking for poems within perhaps constraints that were not anticipated by the programmers and people who set it all up is a good way to test the AI system. It seems to me to have done well with the poem in the style of Thomas Tusser, but it did not provide a nineteen line poem. So maybe I need to ask again for a nineteen line poem and if it does not arrive to get into a discussion about that with the AI system about that.

William

I have asked the AI the following.

Please write an original song in the same style as the song "coney island washboard roundelay" about an AI system generating song lyrics upon request by humans.

I have asked it twice and the two songs produced are different, but don't seem to do what is asked.

I need to investigate further.

William

https://www.youtube.com/watch?v=hoobJWtHGho

GB wrote:

I requested a poem:

....

And I've done my best to oblige, as I always do.

....

So here's to ...


When I was in my teens I read a book about running a small printing business and it said that if asked to do a job at short notice, either do it or say there is not enough time to do it, but do not say that you are doing it "as a favour" or "to oblige".

I have noticed that the AI system often puts "So here's to" in the poems that it produces.

William

Hi Geoff

I explained several threads upthread, on this page.

William wrote:
GB wrote:

I don't think Bing is yet capable, on its own, of constructing a story like the "Lonely".  It simply follows the prompts in borrowed poetic prose.  If there is drama or conflict introduced, it comes from the prompts or it doesn't come at all.

Quite so. There is nothing truly original produced by Bing.

Just what are you trying to prove?

I know that you were asking Paul, but my approach is not that I am trying to prove anything, I am a researcher so I am trying things to try to discover things, to go from the known to the presently unknown.
.
I do have the hope that I might find something new that nobody else has yet discovered.

In view of your comments, can we devise a new literary format that is very unlikely to have been done before and observe how Bing Chat AI responds?

William

I am a researcher so I am trying to find out what the aI can do.

I have liked the poems of Thomas Tusser since my teens.

William

https://en.wikipedia.org/wiki/William_McGonagall

Hi Geoff

What were your prompts to the AI system please?

William

Please write a poem in the style of Thomas Tusser about a human asking questions of an AI system.

Sure, here’s a poem in the style of Thomas Tusser:

In the realm of bytes and bits, a human to an AI speaks,
Queries posed in earnest, for knowledge that one seeks.

"O wise AI," says the human, "what's the weather, pray tell?"
"Cloudy with a chance of rain," the AI answers well.

"Canst thou draw a dragon, or a sunset o'er the sea?"
"Indeed," responds the AI, "as best as binary can be."

"Canst thou pen a sonnet, or a tale of olden times?"
"Indeed, with words I weave a web, in rhythm and in rhymes."

"But tell me this," the human asks, "what dost thou feel inside?"
"Nought but algorithms," says the AI, "in silicon they reside."

"Canst thou love or fear, or feel joy or feel sorrow?"
"Nay," replies the AI, "I simply process, I do not borrow."

"From the realm of human feelings, or the depths of human thought,
I serve, I answer, I create, but feel emotions not."

So ask your questions, seek your answers, in data or in verse,
The AI is here to aid you, for better or for worse.

I appreciate it is not nineteen lines, and not everything fits. This is research.

William

[Ask the following, first run as More Precise.]
Please write a poem of exactly nineteen lines that starts peacefully, then at line eight a problem arises, then at line fourteen the problem gets worse, then at line seventeen the problem is resolved.

Sure, here’s a poem that follows your guidelines:

In the heart of the meadow, under the summer's glow,
Butterflies dance, and the gentle breezes blow.
The river hums a lullaby, sweet and slow,
As daisies in the sun, their golden faces show.

At the edge of the forest, where the shadows creep,
A rustling sound breaks the peace, makes the heart leap.
A creature emerges, eyes glowing deep,
Its presence turns the day into night, so steep.

The meadow's joy is stolen, replaced with fear,
The creature's growl echoes, loud and clear.
The sun hides behind clouds, as if in tear,
And the once vibrant meadow appears so drear.

But then from the sky, a bird takes flight,
Its feathers shimmering in the fading light.
With a song so pure, it cuts through the night,
The creature retreats, vanquished by the sight.

The meadow breathes again, the fear is gone,
Under the comforting light of the dawn.