11:59

The items that Alfred produced are now placed such that if the whole page is printed then they would be hidden underneath the mount when framed.

I have enlarged the type to 12 point.

William

11:50

Change the Document Setup to Inches to facilitate adding the rectangle.

I think that I need to have that in a separate layer then I can switch its display off when I want to export the picture, either for a screen or for printing.

Add the rectangle at 8.5 inches wide and 6.5 inches wide at 5 point and black with a null fill and centre and middle it.

Start a new layer.

Draw a line with the Pencil Tool to show it is working, delete that line.

Save the file.

William

11:44

So I used Document Setup to convert to A4 using Anchor to Page so as not to enlarge the colour rectangles and the lettering.

Then I made it landscape.

Select All and Group, then move the group to the left so it is out of the way of the main drawing area, then ungroup.

Save as Staedtler-12_001.afdesign

William

So, 11:33 am and I am using the computer that has the Affinity software upon it and I have just now downloaded the file that you kindly produced and I have opened it in Affinity Designer and wondering what to do next.

I want to have an A4 landscape document with a rectangle as a guide, the rectangle centred and 8.5 inches wide by 6.5 inches high for compatibility with the picture that I drew with the physical coloured pencils, and so that if I get a print from Viking Virtual Print House then the print will fit well into one of the Tesco A4 frames with a mount that I have so as to produce a finished work of art.

So now to have a look at how to proceed.

William

1,230

(112 replies, posted in General Discussion)

The Carnival is Over

The Seekers at the closing ceremony of the 2000 Paralympics.

https://www.youtube.com/watch?v=ZNCiBZH_52E

William

To draw with the Pencil Tool in Affinity Designer one needs to do a mouse drag in order to draw something.

Doing that conventionally means having downwards pressure on the trackpad, or on the button of an external mouse unit, continually - letting the pressure stop causes the drawing to stop happening.

But if one uses mousekeys /50 to push down the mouse key it stays down until released using a . character. So one can draw with the Pencil Tool without needing to apply the pressure to hold the mouse key down - one can even take one's finger up from the trackpad then go down again without the mouse drag stopping.

I have found using the Pencil Tool much easier and better results too using this method.

Yes, on the numeric keypad.

William

I have found on my laptop computer that using an external USB keyboard and mousekeys to press down and hold down while using the Pencil Tool of Affinity Designer is much easier to use than keeping push down pressure on the trackpad of the laptop computer.

One needs to use the keys at the far right of a full USB external keyboard

/50 to push down and it stays down until

. releases.

William

Thank you.

4 downloads so far.

I wonder if some pictures will be posted (I hope so)

William

1,234

(2 replies, posted in Mathematics & Science)

I suppose it would depend how people treat them this time round.

I remember that 50 word science fiction story I wrote where an endangered animal had been born in a zoo and had a life of luxury. Then someone said "Let's rewild him" and sent him off thousands of miles to live in a wild environment, needing to hunt for his food. But he managed to convince them that he was unable to hunt so he got sent back to his life of luxury, with meals provided and good medical care.

William

I tend to do bits of art to explore a concept. So, here, I worked through drawing a picture using an adapted frame as a solid drawing pad then framing the resulting picture. Doing another picture could be good, but it is using the same concept again.

I think that the next stage is to try to draw a similar picture in Affinity Designer using the same colour palette as for the picture that I drew with the twelve colour pencil set. That will involve me setting up the colours in Affinity Designer, but I want to try to do it by making a palette that can be used in various drawings, so I need to learn how to do that. Doing it as a vector drawing so that it could be printed out huge (in my dreams!)

Though one never knows. In 2004 or thereabouts I produced the following A3 PDF document. I thought it would probably never get printed out full size. Now I have prints of it at A3 sze on 350 gsm paper that cost me under 60p each. Only a few copies, no minimum quantity that would be way beyond what I need.

http://www.users.globalnet.co.uk/~ngo/drawing2.PDF

William

Well, if they were to become available at Tesco for online delivery I would add a pack to my grocery order, but I have not made any effort to get a pack from elsewhere as of yet.

William

1,237

(2 replies, posted in Mathematics & Science)

Bringing back the Dodo.

https://www.msn.com/en-gb/entertainment … r-BB1iwiMf

William

I found that 350 gsm for colour printing is not as thick as 350 gsm for black and white printing at Viking Virtual Print House. The gsm (grammes per square metre) is not a measure of thickness as there are other factors as to the nature of the paper.

Black and white prints of my faux lino cut were thicker than colour prints of other artwork.

William

An interesting and delightful result of having been doing stuff with desktop publishing software for many years is the way that later developments have interacted with things that had been done years before when the available facilities were not as they later developed.

For example, the following PDF document that I produced about twenty years ago,

http://www.users.globalnet.co.uk/~ngo/drawing2.PDF

an A3 size picture. At the time I thought it would perhaps never be printed at an A3 size.

In 2022 I bought five prints, printed A3 on 350 gsm paper (like thin card) by Viking Virtual Print House.

Anyway, writing about drawing in white on red paper I later remembered that many years ago, perhaps 2002 even, using the Softy program, I included in a font some drawings and I remember trying them out as white text on a red background, just electronic files.

So, as things have developed I am thinking that I can try to obtain some A3 landscape prints of the drawings in perhaps a white colour that is not (r, g, b) = (255, 255, 255) upon a red background that is not (r, g, b) = (255, 0, 0). A softer look.

The artwork in the early font got copied into a later font made using FontCreator.

The drawings are in the Private Use Area of the Quest text font, somewhere around U+E700.

http://www.users.globalnet.co.uk/~ngo/fonts.htm

Surprise, looking down that web page I found this A3 PDF document.

http://www.users.globalnet.co.uk/~ngo/quest4.pdf

William

I was about to answer Yes but I did the Quote, did a CTRL A and it copied.

I had been trying to select the text by using the click and then highlight with either the pointer or the arrow keys.

Yet I have now copied the description of the coloured pencil drawing from another thread, so that problem now has at least a workaround.

Thank you.

William

I have never been able to copy text from a post in your forum.

William

https://www.staedtler.com/uk/en/product … -185-cd36/

Though I suppose that those colours could be used in Affinity Designer.

William

I have never tried drawing with a white pencil.

I suppose that drawing in white on red paper could give a stylish result.

I wonder if Bing Chat AI can produce coloured pencil drawings.

Ah, I wonder what would be produced if Bing Chat AI is asked to produce a coloured pencil drawing and is prompted with the description that I wrote yesterday of what I had drawn with coloured pencils.

I need to copy what I wrote yesterday!

William

Ooh!

The thing is I got the 12 pencil set and the 24 pencil set delivered with the grocery by Tesco.

Where can someone get the 36 pencil set please?

The search is on!

William

On

https://www.staedtler.com/uk/en/product … l-185-c12/

the colours are listed on tooltips on the palette at the right of the page but not in box order

yet

the colours are listed in box order on the palette at the left of the web page but no tooltips.

William

Thank you.

Alas, the pencils do not have the numbers on them, so I take great care to keep them in the order that they are in the box.

William

I find that I cannot copy from this forum to paste elsewhere, for example WordPad.

I just cannot get the text in this forum to become highlighted so that it can be copied.

I can copy from various other forums fine, just not this one.

Can anyone explain why please and maybe find a way for me to do it please?

William

Alfred wrote:
William wrote:

I have the 24 pack too, but I have not used them yet. I did a check online at the Staedtler website and at a first look the 12 pencil set is a subset of the 24 pencil set.

Yes, it is. I have a complete list of the original 12, and a list of the extra 12 that make up the set of 24, if anyone is sufficiently interested. I’m not planning to look in detail at any larger sets!

I am interested please.

I am hoping to set the 12 pencil palette up in Affinity Designer and to try to draw much the same picture using the Pencil Tool and possibly the Pen Tool.

The twelve pencil set is fine for doing a general drawing. I suppose that issues arrive if one is wanting to draw with some accuracy an image of, say, a bird, where one wants to get the colour of the drawing to match the colour of the bird.

William

Alfred wrote:

By the way, congratulations on your posting milestone (or perhaps that should be ‘mille-stone’).

Thank you.

William

Alfred wrote:
William wrote:

https://www.tesco.com/groceries/en-GB/p … /287130153

https://www.staedtler.com/uk/en/product … l-185-c12/

Please note that the palette at the right of the page has colour names as tooltip display.

The palette at the left has the palette in the order that the pencils are in the box.

A box of 24 coloured pencils is also available.

Do you like the range of colours? (I’ve just been looking at something else that reminded me of Pantone’s Colours of Vitality.)

I have the 24 pack too, but I have not used them yet. I did a check online at the Staedtler website and at a first look the 12 pencil set is a subset of the 24 pencil set.

I tried working through a process.

I had one of these frames without the clear plastic layer in it,

https://www.tesco.com/groceries/en-GB/p … /308622379

(The picture does not show the latest version of these frames. Each of the ones that I have bought recently have an optional use mount for a 9 inch by 7 inch photograph included, the size of the aperture being 8.5 inches by 6.5 inches.)

having framed some paper. Actually a folded in half sheet of a Tesco A3 drawing pad as they had not got an A4 drawing pad in stock for delivery. The mount in place, but nothing fixed to it. So a firm drawing pad, with the mount as a guide to the limit of the size of the picture.

I then drew a picture, using various of the colour pencils.

I then removed the completed drawing from the firm drawing pad and framed some blank drawing paper in the firm drawing pad, ready for another drawing session.

I framed the picture in a frame of the same type with the transparent layer in place, and including the mount, though the mount does not have anything attached to it.

So now I have a framed drawing that I produced with the coloured pencils. The inclusion of the mount makes it look very good in my opinion.

So, having gone through the process from blank paper to framed picture, the next stage, not yet tried, is to use the same process to try to produce another picture.

The range of colours was fine for what I was drawing, just a fictional scene, landscape format, yellow with a bit of orange sun at upper left, clouds with a light blue edge with a light blue sky represented with horizontal lines, a range of green hills at the horizon drawn after drawing a house with a red roof, and some blue irises at lower left and some rows of green vegetables growing at lower right. So mostly the slightly off white drawing paper, yet with coloured pencil lines drawn on it, no areas full of colour. Just a picture to go from zero to having produced something to get started and go through the process.

William